By Bruce Davis
Catalogues the greater than 5000 works of the gathering.
Preview of German Expressionist Prints and Drawings, Volume 2: Catalogue of the Collection PDF
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Extra info for German Expressionist Prints and Drawings, Volume 2: Catalogue of the Collection
6 x 23. 7 cm) reference: Gallwitz 7 EXHIBITION: Reed 3/3 eighty three. 1. 38 c four. Die Bergpredigt, 1911 (The Sermon at the Mount) lo'/a x g 5/8 in. (26. 7 x 24. five cm) REFERENCE: Gallwitz eight exhibition: Reed 3/4; Guenther 20 127-5 eighty three. 1. 38 five. 127-6 d Das Ahendmahl, 1911 (The final Supper) io 7/i6 x eleven% in. (26. five x 29. five cm) REFERENCE: Gallwitz nine EXHIBITION: Reed 3/5 eighty three. 1. 38 e 6. Die Wiirfler unter dem Kreuz, 1911 (Soldiers playing eleven% x nine 5/s for Christ's gown) cm) REFERENCE: Gallwitz 10 EXHIBITION: Reed 3/6, Guenther 21 eighty three. 1. 38 f in. (29. five x 24. five Beckmann 128 Das undesirable der Straf linge (The tub of the convicts) Seven lithographs on wove paper Illustrations to tale by way of Fyodor Dostoyevski "Aus einem Totenhaus," in Kunst und Kunstler eleven, no. 6 (1913): 289-96 PROVENANCE: Erasmus, Amsterdam; bought in 1975 REFERENCE: Gallwitz 28 EXHIBITION: Reed below 286 eighty three. 1. 1242 1. s-y Untitled 2% page), 1912 (title x 6 5/i6 in. (7. zero x sixteen. zero cm) web page 289 REFERENCE: Gallwitz 28 eighty three. 1. 1242 2. (1) 128-2 128-1 s Untitled (standing and kneeling prisoners), 1912 5*4x3% in. (13. 3x8. three cm) web page 290 REFERENCE: Gallwitz 28 eighty three. 1. 1242 three. (2) t Untitled (two males, half-length), 1912 three 15 four /i6 x four /i6 web page 291 in. (11. zero x 12. five REFERENCE: Gallwitz 28 cm) (3) eighty three. 1. 1242 u four. Untitled (two five four /s x 3V16 web page 292 males at door), (11. 7 x 7. eight in. 1912 cm) REFERENCE: Gallwitz 28 128-3 (4) eighty three. 1. 1242 v five. Untitled (prisoners in room), 1912 eight 7/ie x 7VI6 in. (21. five x 18. zero cm) 128-4 web page 293 REFERENCE: Gallwitz 28 eighty three. 1. 1242 6. (5) w Untitled (prisoner in room), 1912 6Vs x five 5/i6 in. (15. five x thirteen. five cm) web page 294 REFERENCE: Gallwitz 28 (6) eighty three. 1. 1242 x Untitled (Crucifixion), 1912 7. 7% x five% in. (20. zero x 14. zero cm) web page 296 REFERENCE: Gallwitz 28 (7) eighty three. 1. 1242 y 128-5 129 Bildnis des verwundeten Schwagers Martin Tube, 1914 (Portrait of wounded brother-in-law Martin Tube) Lithograph on wove paper n 15 /i6 From x nine I3/i6 in. (30. three x 25. zero cm) Kriegszeit, no. eleven (1914): four provenance: Hauswedell & Nolte, Hamburg, 5-7 June 1975, a part of lot 1072 reference: Gallwitz 53c EXHIBITION: Reed 281/14; Chipp 133 eighty three. 1. 1410 d Beckmann forty seven a hundred thirty Mord, 1914 (Murder) Drypoint on japan paper 7 nine x io /8 From (22. nine x 27. 7 in. cm) portfolio Shakespeare Visionen (Munich: Marees-Gesellschaft, 1918); from version A version of two hundred) (total INSCRIPTION: signed, (xiv/l) on numbered l. r. ; justification web page; publisher's blind stamp, l. r. provenance: Hans bought in Bolliger, Zurich; 1972 REFERENCE: Gallwitz fifty four EXHIBITION: Reed 336/31 M. eighty two. 288. 384. 31 129 131 a hundred thirty Der Abend: Selbstbildnis mit Battenbergs, 1916 (The night: Self-portrait with the Battenbergs) Drypoint on japan paper 7 nine /ie x 7 From (23. nine x 17. eight in. cm) portfolio Gesichter (Munich: Marees-Gesellschaft, 1919-20), from variation of forty (total pi. 10; variation of 100); unnumbered inscription: signed, l. r. ; "Mitternacht"(? ), publisher's stamp, 1. 1. ; inscribed l. r. provenance: Kennedy Galleries, New York; deepest assortment, l. a.; paintings Harris Gallery, la; bought in 1972 REFERENCE: Gallwitz sixty seven exhibition: Reed 372; Chipp four M.