The Cambridge Companion to the String Quartet (Cambridge Companions to Music)

This survey of the string quartet via ten chamber tune experts makes a speciality of 4 major parts: social and musical history to the genre's improvement; celebrated ensembles and their value; and string quartet enjoying. It studies facets of latest and ancient perform, together with "mixed ensembles." Informative appendixes and an entire chronology of the mainstream repertory whole this compact advisor.

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The main sensational crew in Germany prior to the increase of Joachim was once one other kin affair, composed of the brothers Karl Friedrich (1797–1873), Theodor (1799–1855), Franz (1808–55) and August (1802–75) M¨uller. Hailing from Brunswick, the M¨ullers basically received from enjoying jointly for all time; they usually received an early scalp whilst of their first yr of public functionality, 1828, they gave the general public leading of Beethoven’s Op. 131 in Halberstadt. A Berlin reviewer of an 1833 live performance, at which they performed a Spohr paintings and Beethoven’s 3rd ‘Razumovsky’, defined their performances as ‘one bowing, one accessory, one breath, one soul’. From 1830 they have been established in Meiningen, the place their buyer Duke Bernhard I cherished to listen to them play Onslow’s tune; yet they toured assiduously all through Germany and have been the 1st really itinerant quartet avid gamers. From 1855 they have been succeeded by means of Karl Friedrich’s sons, lower than the management of Karl Jnr, who from 1860 to 1868 used to be changed by way of Leopold Auer (1845–1930) while the gang toured. This moment M¨uller Brothers ensemble was once no longer as profitable because the first and ceased in 1873, even supposing the cellist, Wilhelm, later performed within the Joachim Quartet. forty six Tully Potter roughly modern with the elder M¨ullers used to be Hamburg-born Ferdinand David (1810–73), a student of Spohr, who organised a personal quartet in Dorpat from 1829–36 on the behest of Baron von Liphart. at the start it incorporated the cellist Bernhard Romberg (1767–1841). From 1836 David used to be a colleague of Mendelssohn at Leipzig, the place he led the Gewandhaus Orchestra and took over from Heinrich Matth¨ai – who had headed an ensemble there from 1809 to 1835 – the culture of forming a quartet from the string principals. consequently David’s ensemble had a bewildering turnover of group of workers – Joachim performed moment violin in 1847 and back in 1849 – and was once no longer carefully rehearsed. The group’s chamber live shows within the 400-seat outdated Gewandhaus grew to become well-known and occasionally David ceded the management to a vacationing megastar – Heinrich Ernst (1814–55) in 1844 and Hubert L´eonard (1819–90) in 1846. David himself used to be a transitional participant and his variants point out that he used to be one of the first to hire ‘expressive portamento’. His final years coincided with the beginnings of the Russian violinist Adolf Brodsky’s first quartet, which used to be established in Leipzig and flourished from 1870 to 1891. Jean Becker used to be the unique moment violinist, Hans Sitt was once the violist, Otakar Nov´acˇ ek performed moment violin after which viola within the Eighteen Eighties and Julius Klengel used to be the cellist. one of many group’s warhorses used to be Tchaikovsky’s 3rd Quartet. Frankfurt was once a good centre for chamber track and its famed Museum Quartet used to be led by way of Hugo Heermann from 1865 until eventually he used to be ousted by means of scandal in 1906 and went to america. a swish participant expert totally within the Franco-Belgian college, Heermann (1844–1935) made solo files yet none with the quartet, which from 1890 to 1905 integrated Hugo Becker. one of many cellist’s final performances with the crowd was once its most famed most advantageous, of Reger’s D minor Quartet Op.

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